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History Of Wicca In England: 1939 - 1991
By Julia Phillips
Copyright © 1991, Julia Phillips

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This was a talk given by Julia Phillips, an Alexandrian and Gardnerian High Priestess, at the Wiccan Conference in Canberra, 1991. Originally entitled History Of Wicca In England: 1939-Present Day, it is mainly about the early days of the Wicca in England; specifically what we now call Gardnerian and Alexandrian traditions. The text remains "as given", so please remember when you read it that it was never intended to be "read", but "heard" and debated.
There are three main strands I intend to examine: one, Gardner's claim of traditional initiation, and its subsequent development; two, magical traditions to which Gardner would have had access; and three, literary sources.
As we look at these three main threads, it is important to bear in mind that Gardner was 55 years old at the time of his claimed initiation; that he had spent many years in Malaya, and had an enormous interest in magic, Folklore and Mythology. By the time he published High Magic's Aid, he was 65, and 75 when The Meaning of Witchcraft appeared. He died in 1964, at the age of 80.
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Gardner was born in 1884, and spent most of his working adult life in Malaya. He retired, and returned to the UK in 1936. He joined the Folklore Society, and in June 1938, also joined the newly opened Rosicrucian Theatre at Christchurch where it is said he met Old Dorothy Clutterbuck.

I chose 1939 as my arbitrary starting point as that was the year that Gerald Gardner claims he was initiated by Old Dorothy into a practising coven of the Old Religion, that met in the New Forest area of Britain. In his own words,

"I realised that I had stumbled upon something interesting; but I was half-initiated before the word, 'Wica' which they used hit me like a thunderbolt, and I knew where I was, and that the Old Religion still existed. And so I found myself in the Circle, and there took the usual oath of secrecy, which bound me not to reveal certain things." This quote is taken from The Meaning of Witchcraft, which was published in 1959.

It is interesting that in this quote, Gardner spells Wicca with only one "c"; in the earlier Witchcraft Today (1954) and High Magic's Aid (1949), the word Wicca is not even used. (1)His own derivation for the word, given in The Meaning of Witchcraft, is as follows:

"As they (the Dane and Saxon invaders of England) had no witches of their own they had no special name for them; however, they made one up from 'wig' an idol, and 'laer', learning, 'wiglaer' which they shortened into 'Wicca'.
The Alexandrian Tradition of Wicca was established in the 1960s by Alex Sanders, and his wife Maxine. Originally Alex claimed to have been initiated by his grandmother when he was seven years old (reference, The King of the Witches by June Johns), but later admitted that this was untrue. In fact, he was initiated into a regular Gardnerian coven, by one of Patricia and Arnold Crowther's initiates, a lady by the name of Pat Kopanski. When Alex began to publicise Wicca, he encountered strong opposition from more traditional members of the Craft. Some saw it as nothing more than a bid by Alex for personal notoriety; others that he was profaning a mystery. Whatever his motivation, the publicity certainly made people aware of his existence; he and Maxine initiated a great many people in the 1960s and 1970s, including Stewart Farrar and Janet Owen.
More this way!
"It is a curious fact that when the witches became English-speaking they adopted their Saxon name, 'Wica'."

In An ABC of Witchcraft Past and Present, Doreen Valiente does not have an entry for Wicca, but when discussing Witchcraft, does mention the Saxon derivation from the word Wicca or Wicce. In the more recently published The Rebirth Of Witchcraft, however, she rejects this Saxon theory in favour of Prof. Russell's derivation from the Indo-European root 'Weik', which relates to things connected with magic and religion. (2)

Doreen Valiente strongly supports Gardner's claim of traditional initiation, and published the results of her successful attempt to prove the existence of Dorothy Clutterbuck in an appendix to The Witches' Way by Janet and Stewart Farrar. It is a marvellous piece of investigation, but proving that Old Dorothy existed does nothing to support Gardner's claims that she initiated him.

In his book, Ritual Magic in England, occultist Francis King does offer some anecdotal evidence in support of Gardner's claims. However, it is only fair to point out that in the same book, he virtually accuses Moina Mathers of murder, based upon a misunderstanding of a story told by Dion Fortune! With that caveat, I'll recount the tale in full:

King relates that in 1953, he became acquainted with Louis Wilkinson, who wrote under the pen-name of Louis Marlow, and had contributed essays to Crowley's Equinox. He later became one of Crowley's literary executors. King says that in conversation, Wilkinson told him that Crowley had claimed to have been offered initiation into a witch coven, but that he refused, as he didn't want to be bossed around by a bunch of women. (This story is well-known, and could have been picked up anywhere.)

Wilkinson then proceeded to tell King that he had himself become friendly with members of a coven operating in the New Forest area, and he thought that whilst it was possible that they derived their existence from Murray's Witch Cult in Western Europe, he felt that they were rather older.

King draws the obvious conclusion; that these witches were the very same as those who initiated Gardner. King claims that the conversation with Wilkinson took place in 1953, although Ritual Magic in England was not published - or presumably written - until 1970. However, on September 27 1952, Illustrated magazine published a feature by Allen Andrews, which included details of a working by, "the Southern Coven of British Witches", where 17 men and women met in the New Forest to repel an invasion by Hitler. Wilkinson had told King of this working during their conversation, which King believes to be proof that such a coven existed; there are some differences in the two stories, and so it is possible that two sources are reporting the same event, but as Wilkinson's conversation with King came after the magazine article, we shall never know.

In the recently published Crafting the Art of Magic, Aidan Kelly uses this same source to "prove" (and I use the word advisedly - the book "proves" nothing") that Gardner, Dorothy, et al created Wicca one night following a social get together! Of one thing we can be certain though: whatever its origin, modern Wicca derives from Gardner. There may of course be other traditional, hereditary witches, but even if they are genuine, then it is unlikely that they would have been able to "go public" had it not been for Gardner.

There have been many claims of "hereditary" origin (other than Gardner's own!) One of the most famous post-Gardner claimants to "hereditary" status was actress Ruth Wynn-Owen, who fooled many people for a very long time before being exposed. Roy Bowers, who used the pseudonym Robert Cochrane, was another: Doreen Valiente describes her association with him in The Rebirth of Witchcraft, and The Roebuck, which is still active in the USA today, derives directly from Cochrane, via Joe Wilson. Witchcraft: A Tradition Renewed by Evan John Jones with Doreen Valiente describes a tradition derived from Robert Cochrane. Alex Sanders, of course is another who claimed hereditary lineage, and like Cochrane, deserves his own place in this history, and we'll get to both of them later.

Many people have been suspicious of Gardner's claims, and have accused him of making the whole thing up. They suggest that the Wicca is no more than the fantasy of an old man coloured by a romantic imagination. One particularly virulent attack upon Gardner came from Charles Cardell, writing under the pseudonym of Rex Nemorensis. One of Gardner's initiates who is still active in the Wicca today has an interesting tale to tell about Cardell, whom he knew:

"Cardell claimed to be a Witch, but from a different tradition to Gardner's. Cardell was a psychopathic rat, with malevolent intent toward all and sundry. He managed to get a woman called Olive Green (Florannis) into Gardner's coven, and told her to copy out the Book of Shadows so that Cardell could publish it, and destroy Gardner. He also contacted a London paper, and told them when and where the coven meetings were held, and of course the paper got quite a scoop. Cardell led people in the coven to believe that it was Doreen Valiente who had informed on them.

Doreen had just left Gardner in a bit of a huff after a disagreement; another coven member, Ned Grove, left with her. Anyway, the day the paper printed the exposure, Cardell sent Gardner a telegram saying, 'Remember Ameth tonight'. (Ameth was Doreen's Craft name, and as it has now been published, I see no reason not to use it here)."

My informant also said that Olive Green was associated with Michael Houghton, owner of Atlantis book shop in Museum Street, who was the publisher of High Magic's Aid. Through this association, she also encountered Kenneth Grant of the OTO, although their association was not friendly.

Cecil Williamson, the original owner of the witchcraft museum on the Isle of Man, and present owner of the Witchcraft Museum in Boscastle, has also published a number of articles where he states quite categorically that Gardner was an utter fraud; but, he offers only anecdotes to support these allegations.

Although Gardner claimed his initiation occurred in 1939, we don't really hear anything about him until 1949, when High Magic's Aid was published by Michael Houghton.

This book has very strong Solomonic leanings, but like Gardner's own religious beliefs, combined the more natural forms of magic with high ceremonial. In his introduction to the book, Gardner says that: "The Magical rituals are authentic, party from the Key of Solomon (MacGregor Mathers' translation) and partly from magical MSS in my possession)."

Gardner did indeed have a large collection of MSS, which passed with the rest of his goods to Ripleys in Toronto after his death.

Scire (pseudonym) was the name Gardner took as a member of Crowley's branch of the OTO; although it is generally agreed that his membership was purely nominal, he was certainly in contact with people like Kenneth Grant and Madeline Montalban (founder of the Order of the Morning Star).

Gardner was given his OTO degree and Charter by Aleister Crowley, to whom he was introduced in 1946 by Arnold Crowther. As Crowley died in 1947, their association was not long-lived, but Crowther confirms that the two men enjoyed each other's company.

So, after that brief introduction we can have a look at the first of the strands I mentioned.

In 1888, the Hermetic Order of the Golden Dawn was born, beginning a renaissance of interest in the occult that has continued to the present day. It is impossible to overstate the importance of the GD to modern occultists; not only in its rituals, but also in its personalities; and of course, through making available a large body of occult lore that would otherwise have remained unknown, or hidden in obscurity.

I will be looking at this body of occult lore with other literary influences later, and will here concentrate on the rituals and personalities that have influenced Wicca.


Notes:
  1. This is incorrect; Gardner did, in fact, use the word Wicca - spelled Wica - in his book, Witchcraft Today
  2. Doreen did not in fact reject the derivation of witch from the Anglo-Saxon; what she did reject were attempts to derive the Anglo-Saxon words wicce and wicca from words meaning "wise", or from words meaning "to bend or change", or from words meaning "weak" or "wicked"; she favors Prof. Russell's derivation from an Indo-European root weik - a derivation now generally accepted among etymologists, with weik meaning to separate, hence set aside for religious worship; in other words, to consecrate.
  3. Sybil Leek stated that her Coven was the Horsa Coven; Sybil, of course, also claimed to be a hereditary Witch, saying that her Coven had no connection with any of Gardner's; however, her descriptions of her Coven's rituals and practices bear a strong resemblance to similar descriptions of their own rites and practices by Gardnerians
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Celebrating the Crone  Rituals & Stories. By Ruth Gardner
Celebrating the Crone is for those women who want to experience the power of a personal aging ritual. You will find guidelines for conducting your own Croning ceremony, and you will see the many different ways that other modern women have chosen to honor the spirit of the wise one within.

A Witches' Bible  the complete witches' handbook. By Janet Farrar
Everything you need to know is here! The Sabbats; Casting & Banishing the Magic Circle; The Complete Book of Shadows; The Great Rite; Initiation Rites; Consecration Rites; Spells; Witches' Tools; Witchcraft & Sex; Running a Coven; Clairvoyance; Astral Projection. This collection includes two books in one volume, Eight Sabbats for Witches and The Witches' Way and is the most comprehensive and revealing work on the principles, rituals and beliefs of modern witchcraft.
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